Alphonse Lecoz Venice and its Canals oil on canvas circa 1890-1900
A call to travel, or to nostalgia for a beautiful trip to Venice, this is certainly the feeling inspired in us by this beautiful painting signed lower right by Alphonse LECOZ around 1890-1900.
As usual, Alphonse Lecoz has captured with great skill, the light, the atmosphere created by the typical colors of the lagoon city. Here he offers us a beautiful view of a Venice Canal opening onto the Lagoon, animated by a Gondolier.
The theme of the canals of Venice, destination of many painters and an absolute source of inspiration.
Signed lower right by Alphonse Lecoz.
Dimensions without frame: Height 60 cm - Length 120 cm.
Dimensions with frame: Height 75 cm - Length 135 cm.
In good condition, relining is to be noted.
Alphonse Lecoz: XIXth – XXth century.
French painter, most of his paintings are tributes to Venice.
We know little about the life of Alphonse Lecoz, who is clearly a pseudonym used by a Little Master of painting from the end of the 18th century. XIXth century painter who knew how to keep his secret.
Alphonse Lecoz Venice and its Canals oil on canvas circa 1890-1900
A call to travel, or nostalgia for a beautiful trip to Venice, is certainly the feeling inspired by this beautiful painting signed lower right by Alphonse LECOZ circa 1890-1900.
As usual, Alphonse Lecoz captured the light and atmosphere created by the typical colors of the lagoon city with great skill. Here, he offers us a lovely view of a Venetian canal leading to the lagoon, animated by a Gondolier.
The theme of the canals of Venice is a destination for many painters and an absolute source of inspiration.
Signed lower right by Alphonse Lecoz.
Sizes unframed: H 23.62 Inches. – W 47.24 Inches.
Sizes with frame: H 29.52 Inches. – W 53.49 Inches.
It is in fine condition, with canvas overlay changed.
Alphonse Lecoz: 19th – 20th century.
French painter, most of whose paintings are tributes to Venice.
Little is known about the life of Alphonse Lecoz, who was a pseudonym used by a Petit Maître of painting at the end of the 19th century, a painter who was able to keep his secret.