Elegant Napoleon III Period Liqueur Cellar in blackened ebonized wood decorated with marquetry frames of rosewood, mother-of-pearl and gilded brass with a motif of ribbon rush, of two polychrome porcelain medallions with an allegorical subject of Sciences and Arts. mahogany interior with its Baccarat Crystal Service composed of four Carafes and sixteen small matching cut glasses enhanced on their faceted sides with leafy motifs painted in fine gold. Gilded bronze trim (hooping, frame strips, base; side handles) chiseled of heartbeat, pearls et rockery ornamental patterns. With its key. Working lock. Paris, circa 1860.
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For a more detailed approach:
Atypical Napoleon III Period Liqueur Cellar with braid, on its rectangular case with cut sides covered with an ebonized wood veneer, an delicate brass marquetry decor Golden, of rosewood et mother-of-pearl with inlaid patterns ribbon rush, florets et lozenges, diamonds centered on quartet leaves .Surrounded by sober gilded brass strips, This illuminates the sides of the box, embellishes its facade, its upper dish adorned with a large medallion central in polychrome porcelain with an allegorical subject.
Set around their edge with a gilded bronze ring decorated with small heart-raising, pearls, These exquisite paintings in bright, luminous tones set the scene, set in a landscaped setting arcadian on which stand out factories (Templet), architectural elements (Doric column) neo-classical, two female figures majestically dressed in the Antique. Surrounded by works of scientific significance ( volume titled 'By and By"), la first, studious, one elbow resting on voluminous folios, the left hand raised to his forehead, the right hand riveted to a calame, seems absorbed, a treaty opened before her, in his scholarly task. Sporting a tondo (secular attribute of The painting, de The sculpture ) in the bust effigy of a glorious historical or artistic celebrity of yesteryear, the second, her throat bare, her breast round and rosy (Nature), hair surrounded by a halo Laurel wreath (one of the attributes of Poetry), seems to be seeking heaven, high-lifted stylus/brush, creative inspiration. These allegorical female figures delicately painted – the source of which could be found in Joseph-Marie Vien (1716-1809) or the proponents of neo-Greek pictorial movement of the second half of the 19th century – illustrate Science et Arts. Forming a pendant, they reveal the links uniting these two areas of knowledge and empirical understanding of Nature.
Equipped on its sides with fixed handles in gilded bronze chiseled with ornamental motifs inspired by rocaille (palmette shells, acanthus leafy scrolls ),our liqueur box, surrounded on its lid and base with a bead stringing , based on four feet in a flattened ball ringed with a perlé.
Opened, it reveals a mottled interior of mahogany burl.. Endowed with a fixed compartmentalized display arranged in the bottom of its box, honeycomb shelves riveted to its side walls, it serves as receptacle to Liqueur Service. Made from Baccarat cut crystal, it consists of four Carafes of quadrangular section with rounded sides and faceted caps to which are matched sixteen small stemmed glasses of baluster shape with flared rim. The clean lines of this crystal trim are enhanced with listels, festoons and reasons de twisted or leafy stems de vine branches painted with fine gold.
Arts, Sciences and Liquors :
A fine example of these ingenious and luxurious “ hand furniture » born by renowned Parisian Cabinetmakers-Tablettiers for the aristocracy or the clientele fashionable » of the Second Empire, Our Liqueur Cellar nevertheless stands out from its counterparts. Fact, contrary to these declining at will,- according to the stamp of ostentation, wealth, propriety and even coquetry sought by the wealthy clientele of the time- forms, materials and ornamental repertoires inspired by “Boulle” (marquetry with inlay of tortoiseshell, marble, ivory), Louis XVI or Louis XV (precious wood and mother-of-pearl, porcelain sets of gallant scenes, Favorites of Yesteryear ,de flower bouquets or cherubim), .., it is marked with a discreet touch " neo-greek"Prized during the 1860s by a circle of amateur aesthetes. Praised for its various " hand furniture"(cigar box, liquor cellar, Serre-Jewelry..) considered as " wonders of elegance » (Louis Enault, 1867), Charles-Guillaume Dielh (1811-1885) was in the field of tablet making as well as small “ artistic cabinetmakinge » luxury the main protagonist.
Formal elegance, the ornamental sobriety such as luster of materials supported by a The refined chromatism of this Liqueur Cellar harmonizes with its theme. Placed, not under the bawdy auspices of putti fluttering playfully among clouds strewn with roses (attribute of Venus) But under the learned tutelage of the Science and Arts musagétes of spiritual joys, she summons, according to the fine liqueurs contained in its bottles, a more ethereal imagination see distinctive: the one that unites olfactory and gustatory pleasures, intellectual pleasures and aesthetic felicity.
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Fine luxury Parisian Tableware work from the second half of the 1860th century. Napoleon III period, circa XNUMX. Close to models created by Charles-Guillaume Dielh (1811-1885)
Materials: Ebonized wood and Cuban Mahogany veneer; mother-of-pearl, brass and gilded bronze; porcelain; Baccarat Crystal glassware, cut, faceted and highlighted with fine gold paint.
Dimensions: Liqueur Cellar: closed: H.: 29 cm; -L.: 40 cm;-Pr.: 30 cm- Opened: H.: 46 cm;-L.: 66 cm – Porcelain medallion: Diam.: 9 cm x 3 cm. Glassware: Carafe: Total H.: 20 cm;-L; 5x8cm; –Goblet: H. 7 cm.
Very good condition. French polish. With its key. Functional lock. Glassware marked and numbered. Please note: a single glass of a slightly different model.
Elegant Liqueur Cellar from the Napoleon III Period in ebonized blackened wood decorated, in frames inlaid with rosewood, mother-of-pearl and gilded brass with a ribboned rush motif, with two polychrome porcelain medallions with an allegorical subject of Sciences and the Arts. mahogany interior with its Baccarat Crystal Service composed of four Carafons and sixteen small matching cut glasses enhanced on their faceted sides with foliage motifs painted in fine gold. Gilded bronze trim (rimming, framing strips, base; side handles) chiseled with heart-shaped, pearl and rocaille ornamental motifs. With his key. Functional lock. Paris, circa 1860.
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For a more detailed approach:
Atypical Liqueur Cellar from the Napoleon III period with braid, on its rectangular box with cut sides covered with an ebonized wood veneer, a delicate inlaid decoration of gilded brass, rosewood and mother-of-pearl with patterns inlaid with ribboned rush, flowers and pastilles , diamonds centered with quartefeuilles. Surrounded by sober listels in gilded brass, this illuminates the sides of the box, embellishes its facade, its upper plate jeweled with a large central medallion in polychrome porcelain with an allegorical subject.
Set around their perimeter with a gilded bronze rim decorated with small heart-raises and pearls, these exquisite tableautins in lively, luminous tones set the scene, set in an Arcadian landscape setting against which factories (Tempietto), stand out. neoclassical architectural elements (Doric column), two female figures majestically dressed in the Antique style. Surrounded by works of scientific significance (volume titled 'Par et Impar'), the first, studious, one elbow resting on voluminous folios, the left hand raised to her forehead, the right hand riveted to a calamus, seems absorbed, a treatise open before her, in her erudite task Sporting a tondo (secular attribute of painting, of sculpture) with the bust of a glorious historical or artistic celebrity of yesteryear, the second, with her throat bared, the round and dewy breast (Nature), hair haloed with a laurel wreath (one of the attributes of Poetry), seems to seek the heavens, stylus/brush raised high, creative inspiration These delicately painted allegorical female figures -. whose source could be found in Joseph-Marie Vien (1716-1809) or the proponents of the neo-Greek pictorial movement of the second half of the 19th century – illustrate La Science and Les Arts Formant while, they reveal the links uniting these two . areas of empirical knowledge and apprehension of Nature.
Equipped on its sides with fixed handles in gilded bronze chiselled with Rocaille-inspired ornamental motifs (shell-palmettes, leafy acanthus scrolls), our Liqueur Box, surrounded on its lid and its base with a string of pearls, rests on four flattened ball feet ringed with a pearl.
Opened, it reveals a variegated interior of mahogany burl. Equipped with a fixed compartmented display in the bottom of its box, with honeycomb shelves riveted to its side walls, it serves as a receptacle for the Liqueur Service. Made of Baccarat cut crystal, it is composed of four carafons of quadrangular section with rounded sides and faceted stoppers to which are matched sixteen small baluster-shaped stemmed glasses with flared rims. The clean lines of this crystal decoration are enhanced with listels, festoons and motifs of twisted stems or foliage of vine branches painted in fine gold.
Arts, Sciences and Liquors:
A fine example of these ingenious and luxurious “hand furniture” created by renowned Parisian cabinetmakers and tablet makers for the aristocracy or fashionable clients of the Second Empire, our Liqueur Cellar nevertheless stands out from its counterparts. In fact, at contrario of these evolving at will, – according to the stamp of ostentation, wealth, decorum or even coquetry sought by the wealthy clientele of the time – forms, materials and ornamental repertoires of “Bolle” inspiration (marquetry with inlay of tortoiseshell, marble, ivory), Louis XVI or Louis it is imbued with a discreet “neo-Greek” touch prized during the 1860s by a circle of aesthete enthusiasts praised for its various “hand furniture” (cigar box, liquor cabinet, jewelry set, etc.). ) considered “prodigies of elegance” (Louis Enault, 1867), Charles-Guillaume Dielh (1811-1885) was the main protagonist in the field of tablets and small luxury “artistic cabinetmaking”.
The formal elegance, the ornamental sobriety as well as the luster of the materials supported by a refined chromatism of this Liqueur Cellar harmonize with its theme. Placed, not under the saucy auspices of Putti fluttering mischievously within clouds strewn with roses (attribute of Venus) but under the erudite tutelage of Science and the Arts mused with spiritual joys, it summons, according to the fine liqueurs contained in its bottles, a more ethereal or even distinctive imagination: one, uniting olfactory and gustatory voluptuousness, intellectual pleasures and aesthetic felicities.
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Fine work of luxury Parisian tablets from the second half of the 19th century. Napoleon III period, circa 1860. Close to models created by Charles-Guillaume Dielh (1811-1885)
Materials: Ebonized wood veneer and Cuban Mahogany; mother-of-pearl, brass and gilded bronze; porcelain; glassware in cut, faceted Baccarat crystal and highlights painted with fine gold.
Dimensions: Liqueur Cellar: closed: H.: 29 cm; -L.: 40 cm;-Dr.: 30 cm- Open: H.: 46 cm;-L.: 66 cm – Porcelain medallion: Diam.: 9.3 cm x 9.5 cm. Glassware: Carafon: Total H.: 20.5 cm;-L; 8x8cm; -Stem glass: H. 7 cm.
Very good condition. Buffer varnish. With his key. Functional lock. Marked and numbered glassware. Note: only one glass of a slightly different model.
