MAISON TAHAN (1806-1882), Cabinetmaking and Art Cabinetmaking in Paris- Remarkable rectangular liqueur cellar with curved profiles in ebonized wood coated on all sides, within reserves set with nets single or split of gilded brass, of a precious marquetry called "To the Queen" . Uniting in a fine mesh with alternating patterns of fleuron crosses in mother-of-pearl and openwork quadrilobed florets Brass, the latter encloses on the domed plate of its cover a Cartridge scalloped in re-engraved stamped copper in gothic letters of the monogram "HB » .
Its mahogany interior accommodates a liquor display removable compartment with a gilded bronze rack richly chiseled with ornamental motifs inspired by rocaille ((shells with wavy edges, volutes and acanthus leafy scrolls, florets) . Within it is set a sumptuous Garniture in cut and faceted Baccarat Crystal composed of four Carafes and sixteen small stemmed glasses matching the sophisticated bodies and lines enhanced with a seedling byétoiles and nets painted with fine gold.
Resting on four half-legged skates, this luxurious “ Hand furniture " braided on its undulating profile with thick strips of gilded brass carries, carved on the field of its lock, the stamp " TAHAN/ IN PARIS"-House which has she alone brilliantly illustrated during the second half of the 19th century " fine cabinetmaking and tableware from Paris » of this lavish period in that it induces « stamp of the best understood luxury and graceful elegance"
Key with flower pattern. Functional lock.
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In view of its formal elegance, the luster and refinement of its marquetry, which is matched by the sophistication of its crystal, this liqueur box " an taste and the most delicate work" is to be counted among the most beautiful models of this piece of furniture created by Maison Tahan, completely won over by the votes of its “ Parisian public spiritual " passionate about his artistic work " hand furniture » with aristocratic finery.
As such, it is consistent with the remarks made by Mr. Humbert during his visit at the beginning of the year 1858 of this " beautiful Establishment so sought after by the delicate and elegant society of Paris " notably for " its necessities, boxes, liquor cabinets, etc. » which are "distinguished by the graceful stamp of simplicity and tasteful. No heaviness in the ornaments, no pretension in the general composition: Mr. Tahan knows the respect he owes to his very special clientele and the importance there is, for the reputation of the House, in not deviating from the rules of judiciously understood art" (Artistic and industrial review, January 3, 1858, p.9).
Menus about the famous TAHAN House (1806-1882)
Adored by crowned heads as well as "the clientele from all over fashionable Europe", the Tahan House founded in 1806 by Pierre-Lambert (1780-1844) modestly established as " cabinetmaker in boxes and necessities » in the capital (at 10 rue Basse-des-Remparts) was able to acquire, thanks to the colourful personality of his son Jean-Pierre-Alexandre (1813-1892), a privileged place within the fine tablet industry , Of small luxury and fancy furniture. ,Ccompeting with the no less distinguished representatives of the luxurious and coquettish under the Second Empire Articles from Paris (Ch; Dielh, A. Giroux, P.Sormani, A.Vervelle, ..)., J.-P.-Alexandre Hold on awarded the titles-Supplier to the king and princes » (1845) then "of the Emperor"-(1855) and good praiseworthy words -Offline Manufacturer", “Tabletterie Artist, ..-obtained at the Exhibition of French Industrial Products of 1849, the Universal Exhibitions of 1851,1855,1867, XNUMX, XNUMX distinctions and Medals for thethe undeniable superiority" of " its rich and sumptuous assortments" presented during these major events. Like the " public regularlyt amazed at the exquisite taste that presided over the execution" of these pieces of furniture, objects equipped with »a clean stamp", of a "Constantly renewed inventiveness", critics of the time (E.Jouve, Letters on the Universal Exhibition of 1855; E.Champeaux, The Universal Exhibition of 1855) considered The Tahan House as " one of the artistic, industrial and fashion glories that the Foreigner envies us ".
Also, until 1882-year in which PA Tahan " "worker full of taste, full of finesse, full of relevance" retired from business-, Tahan House, sitting 34 Peace Street (1849-1866) then 11, Boulevard des Italiens never ceased to propose in " its magnificent stores » regularly visited by representatives of the Crown and much sought after by the elegant world many times » wonders of modern luxury".Within these latter, were ranked " the boxes which are the specialty and the glory of this house”.It is clear that during the Second Empire, " Mr. Tahan's productions had acquired a " reputation such that there is not a rich and aristocratic house where there is not an object" or piece of furniture » released (S) from the hands of this true artist.”
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Parisian work of fine tableterie from the second half of the 1806th century signed by Maison Tahan (1882-1860). Napoleon III period, circa XNUMX.
Materials: Ebonized wood and Cuban Mahogany veneer; inlaid copper, brass and mother-of-pearl; cut and faceted Baccarat Crystal glassware with fine gold painted highlights.
Dimensions: Closed Liquor Cellar: H.: 30 cm;-L.: 35 cm;-Dr.: 28 cm. – Crystalware: Carafes: H.: 21,5 cm; -base: 8,5×8,5 cm; –Stemmed glass: H.: 7 cm
Perfect condition. Tampon varnish. Original crystalware complete and intact. With its key and functional lock.
MAISON TAHAN (1806-1882), Art Tabletmaking and Cabinetmaking in Paris – Remarkable Liqueur Cellar of rectangular shape with curved profiles in ebonized wood coated on all sides, within reserves set with single or double threads of gilded brass, a precious marquetry called “A the Queen”. Uniting in a fine mesh alternating motifs of flowered mother-of-pearl crosses and openwork quatrefoil flowers in brass, the latter encloses on the rounded flat of its lid a scrolled cartridge in re-engraved copper stamped in Gothic letters with the monogram “HB” .
Its mahogany interior accommodates a removable compartmentalized liqueur display with a gilded bronze rack richly chiseled with Rocaille-inspired ornamental motifs (shells with wavy edges, scrolls and scrolls of acanthus foliage, flowers). encased in a sumptuous Trim in cut and faceted Baccarat Crystal composed of four Carafons and sixteen small stemmed glasses matching sophisticated bodies and lines enhanced with a scattering of stars and threads painted with fine gold.
Resting on four half-legs, this luxurious “Hand Cabinet” laced on its undulating profile with thick gilded brass strips bears, inscribed on the field of its lock, the stamp “TAHAN/ A PARIS”-Maison qui à she alone brilliantly illustrated during the second half of the 19th century “the fine cabinetmaking and tabletwork of Paris” of this sumptuous period in that it induces “the stamp of the best understood luxury and gracious elegance”.
Key with floral pattern. Functional lock.
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In view of its formal elegance, the luster and refinement of its marquetry matched by the sophistication of its crystalwork, this Liqueur Box “of the most delicate taste and workmanship” is to be counted among the most beautiful models of this furniture object created by Maison Tahan, who has won the approval of his “spiritual Parisian public” keen on his artistic “hand furniture” with aristocratic finery.
As such, it reconciles the remarks made by Mr. Humbert during his visit at the start of 1858 to this “splendid establishment so sought after by the delicate and elegant society of Paris” in particular for “its necessaries, boxes, liqueur cellars,. » which « are distinguished by the graceful stamp of simplicity and good taste. No heaviness in the ornaments, no pretension in the general composition: Mr. Tahan knows the respect he owes to his very special clientele. and the importance that it is, for the reputation of the House, not to deviate from the rules of judiciously understood art” (Artistic and Industrial Review, January 3, 1858, p.9).
Small comments on the famous Maison TAHAN (1806-1882)
Adored by crowned heads as “fashionable customers from all over Europe”, Maison Tahan founded in 1806 by Pierre-Lambert (1780-1844) modestly established as a “cabinetmaker of boxes and kits” in the capital (at 10 rue Basse -des- Remparts) was able to acquire, thanks to the colorful personality of his son Jean-Pierre-Alexandre (1813-1892), a privileged place within the industry of fine tablets, small luxury and fancy furniture. , Competing with the no less distinguished representatives under the Second Empire of the luxurious and stylish Articles de Paris (Ch; Dielh, A. Giroux, P.Sormani, A.Vervelle, ..)., J.-P.-Alexandre Tahan awarded the titles – Supplier to the king and princes” (1845) then “to the Emperor” – (1855), and very laudatory terms – Off-line manufacturer”, “Tablet artist, ..-obtained during the Exhibition of the Products of French Industry of 1849, of the Universal Exhibitions of 1851, 1855, 1867 distinctions and medals for the “undeniable superiority” of “its rich and sumptuous assortments” presented during these major events. Like the “public regularly amazed at the exquisite taste which presided over the execution” of these pieces of furniture, objects endowed with “a distinctive character”, of a “constantly renewed inventiveness”, the critics of the time (E.Jouve, Lettres on the Universal Exhibition of 1855; E.Champeaux, The Universal Exhibition of 1855) considered La Maison Tahan to be “one of the artistic, industrial and modistic glories that foreigners envy”.
Also, until 1882 – the year in which PA Tahan “a worker full of taste, full of finesse, full of relevance” retired from business – the Maison Tahan, sitting 34, Rue de la Paix (1849 -1866) then 11, Boulevard des Italians never ceased to offer in “its magnificent stores” regularly visited by representatives of the Crown and much sought after by the elegant world many “marvels of modern luxury”. , were arranged “the boxes which are the specialty and the glory of this house”. It is clear that during the Second Empire, “the productions of Mr. Tahan had acquired a” reputation such that it is not a rich and aristocratic house where there is not an object or piece of furniture that came from the hands of this true artist .
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Parisian fine tablet work from the second half of the 19th century signed by Maison Tahan (1806-1882). Napoleon III period, circa 1860.
Materials: Ebonized wood veneer and Cuban Mahogany; inlaid copper, brass and mother-of-pearl; cut and faceted Baccarat Crystal glassware with fine gold painted highlights.
Dimensions: Closed Liqueur Cellar: H.: 30 cm;-L.: 35 cm;-Dr.: 28 cm. – Crystal: Carafons: H.: 21.5 cm; -base: 8.5×8.5 cm; -Footed glass: H.: 7 cm
In a perfect state. Buffer varnish. Original crystalwork complete and intact. With its key and functional lock.
